Capricorn, for 2 flutes, 2 oboes, 4 clarinets, 2 bassoons, and 2 horns Christopher Fulkerson. When performed according to the conventions of its own time, seventeenth- and eighteenth-century music conveys a paradoxical mixture of precision and flexibility that has an enchanting lilt, grace, and vitality.
Voicings, for flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, violin, viola, violoncello, and double bass Walter Kaufmann.
For 12 Strings Risingfor 4 violins, 3 violas, 3 violoncellos, 2 double basses Habib Touma [Tuma]. Yale University Press, pp.
The End of Early Music: Some of the technicalities are presented in the form of tables and appendices; there are musical illustrations and sample score-layouts, and a bibliography. Music for Twelve Instruments Elis Pehkonen.
The original edition of this addressed works that bore the names of dances - a considerable corpus. Lambert, Heinichen, Telemann and others, Christensen shows how to create stylistically accurate figured bass realizations.
Meter in Music, by George HouleThe notation of seventeenth- and eighteenth-century music is often a puzzle to performers. This book is an outgrowth of the "celebrated" Boston Globe multidisciplinary Academies sponsored by the Aston Magna Foundation for Music and the Humanities with support from the National Endowment for the Humanities.
Composition for Twelve Instrumentsfor flute, oboe, clarinet, bassoon, horn, trumpet, harp, celesta, violin, viola, cello, and double bassrev.
Heller and Talbotprovide the most rounded overviews. Cycle, for twelve stringed instruments pub. Includes a nonthematic works list and a bibliography. Also includes catalogues of works that cannot be dated with certainty. Christiensen has also added comments and written examples of his own.
Haynes, a veteran of the early music movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition. Part I describes French dance practices in the cities and courts most familiar to Bach.
Historical Performance Practice, by bringing us closer to the essence of the music, gives us not only more understanding but - above all - more possibilities for moving our listeners.
Dance and the Music of J. It Makes accessible in English much recent German-language scholarship on Bach, iIncorporates the latest important discoveries concerning Bach, including, with illustrations, an unknown aria and the oldest known autograph manuscript by the composer at age 15contains biographical information not found in any of the standard reference works and other biographies.
Epicycle, for solo cello, flute, oboe, clarinet, horn, trumpet, trombone, tuba, 2 violins, viola, and double bass References[ edit ] Antonov, Ivan Milkov. Merely transcribing earlier works into modern notation can actually mislead the performer. Passacaglia, for alto flute, oboe, B-flat clarinet, bassoon, trumpet, 2 horns, harp, and string quartetrev.
A wealth of concepts and theories are illustrated aurally with the help of the 99 musical extracts on the accompanying CD.
University of California Press.Feb 06, · I believe it was my senior year as a cello performance major that I was going to compile a bibliography of works for unaccompanied cello. maybe?) in the world, I think I will compile a proper bibliography of solo cello repertoire.
right? I suppose the other big question is whether to make this an annotated bibliography or not. Gerhart, Catherine. Annotated Bibliography of Double Wind Quintet Music Seattle: University of Washington (accessed 17 March ). Tillett, Barbara B.
Memorandum: Proposed revision of RDA chap. 6, Additional Instructions for Musical Works and Expressions (4 December).
Antonio Vivaldi (b.
–d. ) was a prolific composer and celebrated violinist whose reputation and stylistic influence spread across Europe, particularly during the s and s.
usually his role in the history of the solo concerto. Includes a nonthematic works list and a bibliography. Selfridge-Field, Eleanor. Venetian. The annotated bibliography lists all of Georg Goltermann’s works that include violoncello either in a solo or accompanimental role.
The bibliography is listed by opus number and. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma,viii, p. - Ann Arbor, MI: University Microfilms International, The solo flute sonatas of Carl Philipp Emanuel Bach A re-evaluation of the appoggiatura, and its links to performance practice and compositional style.